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Blood Too Bright: Floyd Dell Remembers Edna St. Vincent Millay | Bookreporter.com

~ Jeanne Lombardo ~ Leave a comment

One hundred years ago, Bohemian author and editor of the radical Masses magazine, Floyd Dell, began a passionate affair with a newcomer to Greenwich Village–the yet-to-be-discovered “girl poet,” Edna St. Vincent Millay. In the years that followed, both Dell and Millay became symbols of early 20th-century feminism, rebellion and literary freedom. A century later, while poring over her grandfather Floyd’s papers at Chicago’s Newberry Library, Jerri Dell discovered hundreds of handwritten letters and an unpublished memoir about his love affair with Millay. Finding him as outlandish, entertaining and insightful as he was when she knew him 50 years before, she chose to bring him and his poet lover back to life within the pages of this book.

Source: Blood Too Bright: Floyd Dell Remembers Edna St. Vincent Millay | Bookreporter.com

Alt Tag? and 2 More Stupid Questions That Will Make Your Blogging Great – ALWAYS WRITE

~ Jeanne Lombardo ~ 2 Comments

Don’t you know what an alt text is? Don’t you hate asking stupid questions? Even if it will help your blogging? Let me do it for you. I mean everyone knows about alt text by now, don’t they? Do you even know where to find alt text? I did not. And who thinks up keywords … Continue reading “Alt Tag? and 2 More Stupid Questions That Will Make Your Blogging Great”

Source: Alt Tag? and 2 More Stupid Questions That Will Make Your Blogging Great – ALWAYS WRITE

Just discovered Marsha Ingrao at the above site. Super tips on blogging, writing and formatting images.

Power: Getting It, Losing It, Regaining It

~ Jeanne Lombardo ~ 20 Comments

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We’d seen the lights from the prison complex the night before, long before the actual buildings appeared just outside Winslow on Highway 87. Night had fallen black and featureless, and they shone over the horizon like the glow of a distant city, dwarfing the illumination of the town itself. When we came abreast of the starkly lit compound, the barbed wire fences and long squat buildings suggested more than anything an emptiness. A waiting. Then the darkness swallowed us up again.

Winslow. The Winslow of “Standing on a corner in Winslow Arizona.” I’d long thought it would be fun to stop at the actual corner that the song celebrates. After all, the Eagles had provided the soundtrack to my college years. When, this last weekend, I found myself but a couple of blocks away, my mental energy was elsewhere.

I was in Winslow to see my son. My beautiful son. My son who is addicted to heroin. I could say he is an addict, but I dislike ascribing an identity to him in that way. As a friend pointed out, his addiction does not define him. Yet it has defined his life over the last half a decade. And that life went its predictable way since he started using heavily. He lost his job. Became homeless. He was in and out of jail for a year and a half. In and out of rehab, though never seriously in. Last September, he did himself the favor of not avoiding the police when he returned to an apartment he’d been staying at to find two officers responding to an unrelated theft. He was questioned, patted down, arrested. This time he got prison, not jail.

It was my first visit to the Arizona State Prison Complex, though my son has been there since November. A visit is of course not a slap-dash, spontaneous kind of event. There is the enormous task of figuring out the bureaucracy, paying fees for background checks, learning how to set up prepaid calls, and applying for visitation rights. I was approved before Christmas. Both my husband and my sister, for reasons I won’t go into, were denied. Finally I could wait no longer. I would go alone.

Even before Charli Mills put out the prompt on power last week, I had been thinking about the theme. I had been pondering it in relation to my son. In particular, I had been thinking about the lack of power, about throwing away one’s power. That led me to reflect on just how we get power, on what power I had, on what power remained to my son in his present circumstances.

I talked to my husband about it. I was thinking of power as force, but he pointed out how power is influence, the ability to effect an outcome. He noted Alvin Toffler’s book Power Shift in which the author identified three distinct kinds of power: the physical, the financial, and knowledge. So, I surveyed my own power or influence, checking my examples against Toffler’s basic formula but also including others. I have the power of knowledge, afforded by a curious mind and a decent education; some financial power in the form of a regular income and good credit; the physical power of a healthy (as of yet) body (and still functioning mind); the social power I might exert through my network of family, friends, and associates; the political power of my vote (I still think that is worth something); the power afforded by my autonomy and relative freedom; the power afforded to me by the rights I enjoy as an American citizen; and the power to influence my own circumstances through discipline, self-regulation, and self responsibility.

It’s not a great deal of power, but I was satisfied for the time being to know I had at least a modicum of the precious stuff.

In contrast, my son has been rendered almost powerless. I was reminded of just how powerless when we drove up to the stark, isolated complex on Saturday. It was a cold, bright morning. A guard checked our IDs at the gate and waved me in as my husband turned the car around to leave. The guard then instructed me to stand behind a portable trifold fence while a leashed German shepherd made a few sniffing passes on the other side. Satisfied that I was not carrying any drugs on my person, he then directed me to a nondescript building at the end of a short road. Once inside, I filled out the requisite form, removed my shoes and sweater for inspection, handed over my baggie of coins (up to $30.00 permitted for vending machines) and the one unopened pack of Marlboro reds I had bought for my son. I was told to open and empty the contents of the pack into another baggie. Then I passed through the security booth, gathered up my items, and entered the visitation room.

Inside three or four families of visitors had preceded me. They sat on cheap plastic chairs around battered square tables visiting with their orange-clad inmates. Around the perimeter various vending machines offered the usual chips, sodas, water, and weak coffee. I wavered for a moment surveying the choices of table. “You can sit anywhere,” a woman called jovially to me. She clearly knew the routine. An armed guard sat behind a folding table on the far side of the room, next to a locker that I later found contained board games and playing cards. He rose and asked me my inmate’s name. Then he moved to a locked door leading out into the yard and called it out. A moment later I heard it amplified by loud speakers. I was happy it was his name and not his number.

I chose a table within sight of the door leading to the yard. Periodically the guard stepped through it to see if any inmates had lined up outside to be admitted. I eagerly peered through each time he opened it, anxious to see that familiar form. I felt the keen anticipation one has when waiting in an arrival lounge at the airport.

At last he came through. At 6 feet 2 inches, my son has towered over me for the last five years, and the old pride of having to rise up to hug him returned. (The simple maternal pride of having produced this man.) He has a high-bridged prominent nose, dark, thick eyebrows and eyes the color of strong tea. These features were as familiar as always. But his strong, thick arms and shoulders were something new. As were the orange sweatshirt, pants, and slippers. I had not hugged him since last May. I had not seen him since then, except for the two times in court last November. Both times his wrists and ankles had been shackled.

We spent the next four hours talking, playing checkers (as we had so often done when he was a boy), and going out to a separate yard where he could smoke. He spoke of his arrest, of feeling like the moment had come to get out of the life he’d been living, of knowing there would be no other way he could stop using. He spoke of events in his recent past, some painful for me to hear. He spoke of his future, of what he wants and hopes for. And we spoke of power. Of being empowered.

And that is what I hope for him. That of the qualities on the list I made for myself above, my son achieves the last three while he is still incarcerated: the power to influence his future through discipline, self-regulation, and self responsibility. Those three strengths are the basis of all power to come. And those three qualities, if externally enforced now, can be bolstered internally.

Here is my flash on the theme of power. Thanks to Charli Mills for another provocative prompt. February 3, 2016 prompt: In 99 words (no more, no less) write a story that explores the question, “What good is power?” Is it a story of empowerment, or a story of a dictator? Poke around power and go where the force takes you this week.

The Power Remaining

He’d learned the unwritten rules in the first weeks. How he had to back up his own kind. Step into a fight between a white inmate and the blacks or Hispanics. Take another inmate with him anytime he talked to a guard, insurance against a false report on either side. And how to look out when someone got high on contraband dope.

The dope. He’d been offered it. Had fought the memory of the pleasure of it in his veins, the release, the purest happiness there could be.

But he’d resisted. It was the one power remaining to him.

 

 

Fairy Tales: Magic All Around

~ Jeanne Lombardo ~ 10 Comments

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Magic. Fairy tales. This be the prompt the mistress Mills has set for us this week:

January 13, 2016 prompt: In 99 words (no more, no less) begin a story with, “Once upon a time…” Where you take the fairy tale is entirely up to you. Your character can break the traditional mold, or your ending can be less than happy. Elements of fairy tales include magic, predicaments, villains, heroes, fairy-folk and kingdoms. How can you turn these elements upside down or use them in a realistic setting? Write your own fairy tale.

I have grappled with this challenge for days. Is it because I have lost what little faith I ever had in magic? That I’ve grown too removed from the stories upon which I cut my literary teeth and early artistic aesthetic? That I disdain the silly young girl I was, a creature who unconsciously modeled herself on all those lovely but passive heroines swooning and fainting and waiting for some prince to save them from remote towers, thorny enclaves, and glass caskets?

Not that I didn’t devour fairy tales. Not that my heart does not quiver still when I remember the gorgeous red-leather-bound volume of Grimm’s Fairy Tales that my sister Peggy “borrowed” from our Catholic school library. It was a book so far removed from the flimsy paper Scholastic books we ordered from school, and the ordinary juvenile mass market fare we got from the local library, that even my ignorant young mind intuited its quality. The Romantic illustrations alone sent me into ecstatic reveries that I did not yet know signaled an awakening to aesthetic appreciation.

And come to think of it, not all the heroines were silly little creatures. Among my favorite stories were “The Twelve Dancing Princesses” who defied their father’s authority and snuck out of the castle night after night to dance until dawn with rather dubious companions. And Snow White and Rose Red, who traipsed all over the dark forest, invited a bear into their home, and had numerous dangerous encounters with a malicious dwarf.

Alas, as we all do, I grew up. I lost my religion, replacing it with skepticism. I had my knocks and disillusionment. But I embraced other delights too: classic literature, philosophy, art, travel, science, humanism. And I found solace and delight in the natural world. I found wonder and awe. At times I mourned the loss of magic. At others I felt its power swell all around me in the things I had yet to discover.

And yet, fairy tales are not incompatible with an adult world view. They are not just simple stories for children. They are our connection to both a collective past and worlds erased by time. They provide a way of making sense of the world, not only for children but upon multiple readings over many years for adults too. Fairy tales are rich with examples of values passed on through generations. They are repositories of charming details and quaint customs. The creatures of fairy tales are tied to the ancient natural world. And like all stories, they perform the greatest magic trick of all: granting immortality to voices from the distant and near past. Carl Sagan put it this way:

Across the millennia, an author is speaking clearly and silently inside your head, directly to you. Writing is perhaps the greatest of human inventions, binding together people who never knew each other, citizens of distant epochs. Books break the shackles of time. A book is proof that humans are capable of working magic.”

So. I find I want to think more about fairy tales. I want to reread them. And though I don’t think I’ve conjured up a true fairy tale, I did pick up the gauntlet Charli threw down. Here is my fairy tale flash.

Magic All Around

Once upon a time there was a maiden who scorned magic. A wise teacher called Skeptic had set her straight about the world. One evening Skeptic found the maiden on a cliff overlooking a vast canyon. Condors wheeled against cliffs glowing with a million sunsets. Below a turquoise river coursed its cursive script in an ancient letter to the sky.

The maiden wept.

“Why so sad?” the Skeptic asked.

“I want for the magic I once knew,” she replied.

Silence sang. The sun sank aflame. Stars slowly spangled the indigo sky.

“Be this not magic enough?” the Skeptic whispered.

From Autobiography to Memoir

~ Jeanne Lombardo ~ 8 Comments

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So, what about that book you were ghostwriting?  I hear that a lot from friends I haven’t seen in a while. After all, it’s been three years. And it’s true that at times I feel like I’ve been sucked into a black, bottomless hole, or tossed upon some steep Sisyphean slope the peak of which I will never reach. Then again, what did I expect? It’s a book not a sandwich. A book doesn’t have a clear blueprint, or at least if it does (an outline), it is one that has the unnerving habit of morphing even while you are adhering to it fanatically.

The Decision to Jump the Genre Track

I punched out the first version of the book in a year. It was a straightforward life story beginning in childhood and ending with the author’s retirement and reflections on his life and career. I had, as William Zinsser put it in his acclaimed guide, Inventing the Truth: The Art and Craft of Memoir, imposed “narrative order on a jumble of half-remembered events.” Several readers responded favorably, but these were mostly swayed by their fondness for either the author or myself. Then something happened to change our trajectory. (Long and complicated story there, one I wrote about in July.) Brakes were applied to the publishing schedule. Acting on the suggestions of a professional publicist and editor, my client and I pulled back to explore a more commercial version of the story in the form of a medical memoir.

Steps to a Genre Metamorphosis

At that time, I think I had some vague notion that I would be able to simply cut and paste my first autobiographical version into a cohesive new memoir. How wrong I was. What was needed was a complete overhaul. I would have to jettison parts of the book I (and more importantly my client) had loved, and if anecdotes or scenes did not support the memoir, out they would have to go. Following are the steps I have taken these last months in the process of transforming a life story to memoir.

  • Book-ending the narrative: A crucial distinction between an autobiography and a memoir is focus. According to Zinsser, a classic memoir recalls “a particular period and place in the writer’s life.” It is “a work of history, catching a distinctive moment in the life of both a person and a society.” Accordingly, I had to identify new starting and ending points to my story. This being a medical memoir, I would focus on the years my client worked at the top of his field, building the new narrative within strict bookends from the time his reputation took off to his retirement. While I didn’t want to completely abandon important events and key experiences that took place in his childhood or training, I had to find a way to incorporate them through flashback within the new truncated time frame.
  • Building a new chapter sequence: With a clear start and end point, I now went back to the original chapter sequence, pulling out the chapters that took place during this span, and using them to anchor the new narrative arc. Scrivener was helpful in this endeavor, allowing me to easily build the new structure by first importing all the chapters from the original manuscript into the binder of a new project, and then selecting from them to build a new sequence. However, since my client’s childhood and training had taken up nearly half the original book, I was left with only a dozen or so chapters that fit in the new time frame revolving around his career.
  • Identifying events in existing chapters from which to build new chapters: Now I had to explore the chapters that dealt with his career and identify material that I had given less importance to that could be the basis of complete new chapters. This has been tough but edifying . An author makes so many choices focusing on one anecdote here, eliminating another there. Guiding my search was of course the strictures of the medical theme. However, I had to be careful not to settle for “fluff,” minor episodes that did not have enough meat to expand into a real chapter but that I was tempted to use out of desperation to replace chapters I had dumped.
  • Integrating earlier key events through flashback:  A real challenge has been how to retain some really dramatic scenes that on the surface did not directly support the new focus. I could integrate key childhood experiences through flashbacks but only when they supported or related to something that was happening in the new present of the story. The flashback must also be triggered by something happening in the present; there had to be a reason the author reflected on his past when he did. While a number of acclaimed memoirs have served as a good model, I found myself dipping time and again into Cheryl Strayed’s Wild, to see how she accomplished such a seamless shift from the present (the hike on the Pacific Crest Trail) to various points in her past that pertained to and illuminated her struggle.
  • Identifying high and low points: This exercise was one of the first tasks the editor gave me, but it has turned out to be the cornerstone of my approach. Scanning the original manuscript (and working from memory) I created a table with two lists, one the high points/successes in my client’s life and the other the low points/failures/challenges. These I put in chronological order, then referred back to them as I built my new chapter sequence. Those that fit in the main narrative became, in many cases, the basis for a chapter. Those from earlier periods of his life could be included as flashbacks interspersed around the main action. The challenges in particular—and how the author dealt with them—reveal character and motivation, while the successes allow for a release from tension and provide variety and movement to the narration.

A Memoir Takes Form

This process has been slow and sometimes frustrating. Working with so much material (97,000 words in the original manuscript, as well as two dozen audio recordings) often feels like wading around in a flood grasping at flotsam as it floats by. And while I did get a good start on transforming the book into a memoir using the steps above, it was when my editor suggested I hold off on actually doing the rewrite and create a book proposal instead that the new book began to emerge in more clarity. I will be blogging about how creating a proposal expedites the actual writing of a book in an upcoming post.