Won’t You Be My Neighbor?

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A neighborhood in northwest Phoenix (Glendale) Arizona, from the slopes of Thunderbird Mountain.

I noticed the neighbor girl at the same moment Danny, another neighbor, did. She was huddled on a big rock in her front yard with her head in her hands, sobbing uncontrollably. Danny and I looked at one another, and moved in from opposite sides of the street.

I’ll call the girl Kim. Though at 23, she’s more woman than girl, at least physically. She has milky white skin, pale blue eyes, and a mass of thick chestnut hair that falls in natural ringlets about her shoulders. She is what today we call special needs, and her manner slides on a scale between sweet and child-like on one end and anxious and fearful on the other.

I’ve known Kim and her parents, Karen and Joe,  since my husband Tom and I moved in down the street on New Year’s Eve three years ago. When we emerged from unpacking to go in search of dinner, theirs was the first house we noted; music was blaring, a bonfire was crackling, and revelers were awaiting the countdown to midnight. The following year we joined the party, in what we learned was an annual event Karen and Joe hosted in the neighborhood.

Last autumn Joe was in a freak motorcycle accident around the corner from home. He was driving 30 mph when he lost control of the Harley. He skidded and crashed, fracturing his skull and severing his spine. Karen was forced to get a job, something she had never done since her daughter developed a brain aneurysm at the age of 11 months. Now, as Kim will tell you each time you chat with her, she has to take care of her dad while her mother is at work. She has to take care of her dad while her mother is at work. She has to take care of her dad while her mother is at work.

The day I found her on the rock, I think the stress of these changes had simply overwhelmed her.

This episode made me think, as I often do these days, of neighbors and communities. We’ve been pulled deeper into this neighborhood since we landed here three years ago, intending to rent for a while, to recover from our own personal housing disaster and somehow thrive without taking root. But the threads of that illusion spun themselves out even before yesterday evening. They fly like tattered flags over our house, in face of the kindness of our neighbors and the stories we have come to know about them.

Take Dave and Cristine across the street. We hardly talked to them at all before this last Christmas, except to chat briefly on Halloween as we stood outside our houses surveying the number of trick-or-treaters. Then Cristine came bearing her annual gift of homemade Yuletide tamales. When we locked ourselves out of our house on a chilly night three weeks ago (without even a cell phone), Dave and Cristine stepped up like old buddies. They plied us with beers, found a locksmith, and urged us to wait it out in comfort at their house.

We know so many stories now about our formerly anonymous neighbors: smart, efficient Jennifer next door who lost her father this last year; Lewis the communications consultant on our east side whose brother died of a drug overdose long ago, and who leaves weekly shopping bags bursting with oranges on our doorstep every February; German Ilse down the street who photographs dogs and lost both her mother and her beloved black Lab at Christmastime; Lewis’s wife Liz who is crazy about crafts and scrapbooking and runs an annual holiday cookie exchange; Sharon, whose 22-year-old daughter was killed in a car accident the year before we moved in; and Karen, Kim’s mom, who was about to divorce her husband Joe at the time of his accident and now cares for him as he recovers and adjusts to life without the use of his legs.

Someday, if we ever want to own a house again, Tom and I will have to move from here. But my neighbors are going to make it very difficult to pack up and leave. I have never lived in a neighborhood so caring and embracing. A neighborhood where a dozen people will show up at your door with complete dinners should you experience some tragedy, as happened when Joe had the accident. And yet, it is just the kind of neighborhood I used to disdain. Just another safe and boring suburban enclave cut out of the desert, I thought, one house barely distinguishable from another, manicured lawns, cars duly backing out of garages each morning and returning each evening. But now, I’ve come to see the community behind the houses. And I regret that my days here are likely numbered.

Back to Kim. The night she broke down, I walked with her up and down the street. The other neighbor, Danny, and my husband Tom came to check every ten minutes and offer advice. Mostly they stood there, impotent, as I was. Each time Kim and I stopped walking, the tears and shudders would start again. Dark fell. Kim texted her mother. She had forgotten that this one night Karen was out for a brief respite: a couple of hours with a friend at a Mexican restaurant. Kim oscillated between anger and weeping. At last, her father, who had been knocked out on meds all afternoon, woke to find a ruckus in his carport. He bumped over the threshold in his wheelchair, rolled down a ramp they’d installed after the accident, and stopped before Kim. “Come on in Kimmy,” he said weakly. “Everything’s going to be all right.” Danny, Tom and I chimed in, imploring Kim to go inside and watch a favorite television program. She finally followed her father into the house, her shoulders sagging. She did not look back as she punched the garage door button.

A few days later I walked down the street again to the mailboxes. Kim was ambling around outside her house at the end of the block. “Hi Jeanne!” she called.

“Hi Kim,” I said. “Everything’s okay now, huh. Did you watch your shows the other night?”

“Yes,” she said, smiling at me. “Thank you for helping me. I really appreciate it.”

What Kim didn’t realize was that somehow she had given much more to me than I had given to her. She had pulled me one step further into community.

This post is a response to the latest flash fiction challenge from Carrot Ranch: January 27, 2016 prompt: In 99 words (no more, no less) write a story about how a community reaches out. Who, or what cause, is touched by a community “spoke”? Do you think communities can impact change and move a “wheel”? Why or why not? Explore the idea of a community hub in a flash fiction.

While Charli’s challenge prompted the above thoughts, a different thread was also going through my mind after reading accounts of the settlers on the American plains in the 1870s. The flash that follows owes its inspiration to that bit of history. And I think it speaks to the crux of what community is.

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A Community of Two

Mrs. James McClure. Lucy McClure. Is that who I am? I hardly know. Look at me! Living in a dirt house. My only music the godforsaken wind. The space outside my door maddening in its infinitude. I wish I’d never heard of Kansas! But they say there’s another woman on these plains. I’ve walked hours to see if it’s true. And Lord above, it is! We look at each other across the mean, trodden yard. We daren’t breathe. Then we break. Fall into each others’ arms. Laughter and sobs leap from our throats. Oh, neighbor, how sweet the name!

 

 

 

Fairy Tales: Magic All Around

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Magic. Fairy tales. This be the prompt the mistress Mills has set for us this week:

January 13, 2016 prompt: In 99 words (no more, no less) begin a story with, “Once upon a time…” Where you take the fairy tale is entirely up to you. Your character can break the traditional mold, or your ending can be less than happy. Elements of fairy tales include magic, predicaments, villains, heroes, fairy-folk and kingdoms. How can you turn these elements upside down or use them in a realistic setting? Write your own fairy tale.

I have grappled with this challenge for days. Is it because I have lost what little faith I ever had in magic? That I’ve grown too removed from the stories upon which I cut my literary teeth and early artistic aesthetic? That I disdain the silly young girl I was, a creature who unconsciously modeled herself on all those lovely but passive heroines swooning and fainting and waiting for some prince to save them from remote towers, thorny enclaves, and glass caskets?

Not that I didn’t devour fairy tales. Not that my heart does not quiver still when I remember the gorgeous red-leather-bound volume of Grimm’s Fairy Tales that my sister Peggy “borrowed” from our Catholic school library. It was a book so far removed from the flimsy paper Scholastic books we ordered from school, and the ordinary juvenile mass market fare we got from the local library, that even my ignorant young mind intuited its quality. The Romantic illustrations alone sent me into ecstatic reveries that I did not yet know signaled an awakening to aesthetic appreciation.

And come to think of it, not all the heroines were silly little creatures. Among my favorite stories were “The Twelve Dancing Princesses” who defied their father’s authority and snuck out of the castle night after night to dance until dawn with rather dubious companions. And Snow White and Rose Red, who traipsed all over the dark forest, invited a bear into their home, and had numerous dangerous encounters with a malicious dwarf.

Alas, as we all do, I grew up. I lost my religion, replacing it with skepticism. I had my knocks and disillusionment. But I embraced other delights too: classic literature, philosophy, art, travel, science, humanism. And I found solace and delight in the natural world. I found wonder and awe. At times I mourned the loss of magic. At others I felt its power swell all around me in the things I had yet to discover.

And yet, fairy tales are not incompatible with an adult world view. They are not just simple stories for children. They are our connection to both a collective past and worlds erased by time. They provide a way of making sense of the world, not only for children but upon multiple readings over many years for adults too. Fairy tales are rich with examples of values passed on through generations. They are repositories of charming details and quaint customs. The creatures of fairy tales are tied to the ancient natural world. And like all stories, they perform the greatest magic trick of all: granting immortality to voices from the distant and near past. Carl Sagan put it this way:

Across the millennia, an author is speaking clearly and silently inside your head, directly to you. Writing is perhaps the greatest of human inventions, binding together people who never knew each other, citizens of distant epochs. Books break the shackles of time. A book is proof that humans are capable of working magic.”

So. I find I want to think more about fairy tales. I want to reread them. And though I don’t think I’ve conjured up a true fairy tale, I did pick up the gauntlet Charli threw down. Here is my fairy tale flash.

Magic All Around

Once upon a time there was a maiden who scorned magic. A wise teacher called Skeptic had set her straight about the world. One evening Skeptic found the maiden on a cliff overlooking a vast canyon. Condors wheeled against cliffs glowing with a million sunsets. Below a turquoise river coursed its cursive script in an ancient letter to the sky.

The maiden wept.

“Why so sad?” the Skeptic asked.

“I want for the magic I once knew,” she replied.

Silence sang. The sun sank aflame. Stars slowly spangled the indigo sky.

“Be this not magic enough?” the Skeptic whispered.

Sharp Edge of Survival

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Outskirts of Willow City, North Dakota

They make ’em different in North Dakota. They make ’em stronger.

I was reminded of this during a quick road trip to the great Peace Garden State last week, ostensibly to help my cousin Tommy drive the new Camaro he’d bought in Arizona back up to his home there. I hadn’t made the trip overland in decades, and thought it would be nice to retrace, perhaps for the last time, the journey my father had taken my family on several summers in my youth. That was during the 1960s and early 70s, when my father’s great boat-like Plymouths and Chryslers lumbered up and over the pine-studded, meadow-pocked ranges of the Rockies and the Black Hills, then sailed gloriously that long last day through leagues of fecund prairies, gathering dust, obliterating grasshoppers, making a dead run to the home farm like a hungry horse to its stable. Now I was back, for the fourth time in the last decade, in thrall as I have been since girlhood to the rough county lives of so many of my first cousins.

And this is where my claim for the superior fortitude of the Dakotans comes in. What evidence to have to support it?  I’ll give you two examples, one deserving of immediate dismissal by its sheer subjectivity and one with more journalistic cred.

And the Wind Comes Sweeping Down the Plains

Sunday August 23rd found me pulling into a field off a wind-swept crossroads outside of Dunseith, North Dakota with Cousin Tommy (this time in his Chevy Silverado). We’d planned to go straight to the horse show grounds where our mutual cousin Joe was to emcee the riders going through their paces. Sadly, Joe, who’d just quit his job as a long-distance truck driver to take a position as a school janitor, had been called in to work to deal with a reported bat problem (a sole bat as it turned out.) So in good North Dakota fashion, we were meeting in a field to have a quick visit. Joe was already there, with his brother Rick who’d picked him up in Rick’s own Silverado and was taking him back to his town thirty miles away.

Two Sensible North Dakotans, Cousin Tommy and Cousin Joe
Two Sensible North Dakotans, Cousin Tommy and Cousin Joe

The temperature hovered around 50. The wind made sharp staccato lashes of my hair. It had rained all day Saturday but today the sky was a deep, cloud-buffered blue. My thin cotton shirt gave scant protection and my bare neck taunted the prairie fates. I danced like a fool in the wind, slinging my song into its currents. “Nooorth Dakota, where the wind comes sweeping down the plains!” How intoxicating it was.

And how laden with dust and chaff in harvest season. That night my throat began to ache. By Monday afternoon when I deplaned in Arizona, my cold was full blown. My constitution had not been equal to that of my North Dakota cousins. It had fallen to the prairie wind, even in August.

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A farmers’ daughter falling from grace with the prairie
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Another sensible North Dakotan demonstrating proper wind wear

Climate and Culture of Centenarians

Don’t take my word on the robust nature of North Dakotans though. The home state of both my parents made news a year ago in Newsweek Magazine in a story entitled “The Oldest People in the US Live in the Geographic Center of North America.” That geographic center would be Rugby, the town where my Aunt Rita and Uncle Dick raised their brood of ten. According to the article, several factors contribute to this extraordinary level of health: for starters, take the stock. Most people in North Dakota go back generations (not counting the Native Americans who of course have been on the land for centuries). Those early pioneers who couldn’t take the bleak, frigid winters and backbreaking labor left, leaving survivor types. Second, consider community. People in the rural Midwest look out for each other. I saw this for myself on this recent visit when the welfare of a couple of elderly shut-ins was the main topic of conversation at a Saturday night corn fest held at the local Shooters Bar. And then there is all that clean air and water, at least outside of the fracking regions.

A Land that Suffers No Fools

Despite all the positives, this is a land that repays small lapses of judgment harshly. My father’s brother Jerry hit the angle of a ditch wrong coming out of a field in September of 1975 and tipped the tractor he was driving. It crushed him into the land he had farmed for half a century. The poetry of such an end has not lessened the tragedy of it among those who still tell the story all these years later. Then there was my grandfather’s brother Bill, who killed himself with a shotgun at the age of sixteen. I remember Aunt Rita and Aunt Jeannette nearly coming to blows as to how it happened at Uncle Roger’s funeral. Bill was either climbing over a fence or getting out of a truck when the gun went off. Either way, the gun was loaded and the prairie left to swallow the flood of pain that event must have unleashed. And twenty years ago, tragedy nearly claimed my cousin Janie’s son one record-breaking winter. Which brings us to this week’s flash fiction challenge over at Carrot Ranch.

Fence Down

August 26, 2015 prompt: In 99 words (no more, no less) write a story about the need for help in an extreme weather event. Is the help local or global? Does it arrive or the plea go ignored? Think about extreme weather occurrences and consequences.

Paul cranked the ignition. Only the same harsh rasp. And no service on the cell phone.

“Won’t be an hour,” he’d called, flinging his weight into the white, squinting wind; his mother’s voice a needle in the air before the sky sucked it up.

Now cold seared a sugar crust onto the windshield. The snow funneled down. It’d swallowed the fence in the south pasture. Now dense, wet waves of it lapped against the tires.

At least he’d found the cow, he thought, satisfied, settling back, closing his eyes, already oblivious to the sound of a truck door slamming.

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Cousin Tommy’s Windowpane, Winter 2014

 

 

Flash Fiction: Deer Struck

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Blessedly far from the highway.

I’ve got my excuses for not blogging more. The fallback one is the book I am rewriting for a client. Still, I know it’s a sham and that all those sentences running through my head should be finding their way to the screen (or the page.) So it is always a good stimulus to get Charli’s flash fiction challenge.

This week’s challenge comes from Charli’s surprise meeting with a deer on a highway in her home country of Idaho. In 99 words, (no more, no less), Charli’s stable of rough writers must tackle the premise: “I ran over a deer (or other animal) and have decided to nurse it back to health.” Not that, apparently, writing about hitting a deer is all that novel. Seems that Charli saw a piece in the Tahoma Literary Review bemoaning the popularity of the theme as a vehicle to play with metaphor: “The idea here (and it’s not a bad one) is to create a metaphor for the protagonist’s desire to rescue his/her life by rescuing another’s.”

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I’ll admit that the challenge did not immediately suggest the metaphor of rescuing a wild animal to me. Probably because of the novel I have been slogging through since before I went to San Francisco at the end of July (not that this fascinating book doesn’t deserve better than a slog). That novel, a science fiction classic titled City  by Charles Simak, chronicles the ten thousand-year demise of man and the rise of both robots and “Doggish” culture. Against the  backdrop of the human abandonment of earth for an evolved existence on Jupiter—and the more hopeful if flawed adoption of a Martian “Peaceable Kingdom” philosophy of brotherhood among beasts—the now dominant Dogs, taught to speak by the last reigning family of Websters, inherit an earth where the ancient blood instinct has been not quenched but stoppered. I won’t reveal what happens (only watch out for the ants!) It’s that bit about dogs being able to talk that dovetailed with Charli’s flash fiction challenge.

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That wasn’t the only thing going through my mind though. Like millions of people around the world, I felt my hackles rise over the “murder” of the “beloved” Cecil the Lion. My outrage was mitigated by a counterbalancing op ed piece by Goodwell Nzou, a Zimbabwean doctoral student in biosciences, questioning the skewed values that would place such a disproportionate weight on the death of a dangerous animal, one that for Zimbabweans represents terror and  untimely death, not an anthropomorphized, Disneyfied mascot. And this in the face of near total indifference not only to villagers killed or left hungry by wild animals but also by political violence or hunger. Nzou observes: “We Zimbabweans are left shaking our heads, wondering why Americans care more about African animals than about African people.”

Memorial light show for Cecil at the Empire State Building

The issues raised by this incident require more than a blog post but I think Americans, with our billion dollar pet industry, do need to get more perspective on these issues. We bemoan the fate of one star wildling but, as a recent New York Times article reveals, support with our dollars a booming sea slave trade on high seas fishing boats that trawl the sea bottom for cheap fish to convert into food for pets and livestock.

So, back to the deer. With these threads weaving through my mind this week, I set out to write one simple, little flash fiction piece for Charli’s challenge. Having a number of rural cousins for whom a deer in the road is an ever-present hazard, the scene came easily to mind.Thanks Charli. Here’s my flash.

Deer Struck

The deer leaped from the hillside, forelegs outstretched, real pretty, like wheat in the setting prairie sun. The near eye gleamed big as the moon. Then I slammed into her.

Goddammit, I thought, third one this year. I grabbed my old Winchester and kicked the door open.

She was lying on the highway, a gash in her hind haunch, one leg snapped like a dead branch. Not too heavy, I reckoned. Ought to get her loaded up all right.

I aimed, then lowered the gun. That moon eye was looking at me all steady like.

“Help me,” she said.

Flash Fiction: A Rich Little Poor Girl

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It’s flash fiction time as I ponder another challenge from Carrot Ranch. Charli’s May 27, 2015 prompt: In 99 words (no more, no less) write a story, using the above photo. You can make it a garden party or an international spy thriller. Who is there and why? Does the backdrop scenery make an impact or is it ignored? The place is on an island, if you wish to make use of that. Go where the photograph leads you this week.

The stunning locale first suggested a tale of romantic suspense, like those so beautifully evoked by mistress of the genre Mary Stewart in The Moonspinners or This Rough Magic. A boat landing on a remote mountain estate seemed a perfect setting for a flash about a chance meeting between a smart, independent (and yes, attractive) young woman and a generic tall, handsome, initially-suspect-but-ultimately-kind-and-sympathetic love interest. After all, it was authors like Stewart and Victoria Holt, whom I read voraciously through my teens, that compelled me to pursue my own foreign and romantic adventures upon reaching the age of burning freedom myself.

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But then, a real-life story came to mind.

I heard the tale last July in Florida during a visit to a long-lost cousin of my husband’s. We’ll call him Billy. Affable, hard-drinking Billy had done very well for himself, not only in his career as an attorney but in his marriage to a wealthy sparrow of a woman with camellia skin and fair wispy curls, whom we shall call Savannah. On the patio of their luxury home, after a dip in the saltwater pool, I listened with deep fascination to Savannah’s story.

She had not been born into wealth. Rather, the youngest of seven children in a hardscrabble West Virginia family headed by a down-and-out alcoholic widower, the trajectory of her life had been radically redirected when a rich, local attorney adopted her as a young child. Overnight penury and hunger and squalor gave way to the privilege and trapping of a lonely, wealthy man’s only child.

Savannah never returned to the shack she’d shared with her rag-tag siblings, only visiting her father a few times before his death two decades later. Still, her wealth had not brought great happiness, or a love deepened by shared struggle, or health. Savannah told me her story in a thin whisper, conserving the breath now imperiled by her lung cancer. And during the six hours we spent there, Billy followed up on the libations he’d clearly imbibed before our arrival, downing beer after beer after beer.

The Lake House

Savannah surfaced and gulped the sweet, heavy air. It’s a dream, she thought. This lake, the blue mountains, the murmurings in the pines and skimming dragonflies.

She bobbed for a moment, then hoisted herself up the metal ladder. No, it was real, these wooden stairs, this path, the big house just ahead.

Clean, sweet-smelling New Papa was waiting there. She didn’t know why Real Papa had let New Papa take her away after Mama died. Or why New Papa hadn’t chosen one of the others.

A prayer beat inside her. Let me stay. Let me stay. Let me stay.

 

A Dawn Concert for Margaret

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Margaret: An indomitable spirit.

Margaret Egger Belisle was her name. Loyal wife, loving mother of five, dedicated nurse, rheumatoid arthritic. She suffered from her illness from just after my birth in the mid 1950s until her death in 1975 at the age of 53.

While I was growing up, I was oblivious to the harsh reality of her condition. It was just was the normal state of affairs. By the time my memories began to stick, she already relied on a cane. Then crutches. When the first wheelchair appeared, it was a hoot to take it for a spin down the hallway of our ranch-style home. Apart from those aids, she was like other working mothers I knew. Off she went to care for her geriatric patients every morning at the nursing home she had established with my father in 1967.

Mother’s disease followed its due trajectory through my high school years, reaching its pitch just as freedom sounded its shrill whistle most insistently in my ear. I was a freshman in college by then, commuting to class from home. I longed to move away. But Mother was still at home, deteriorating in front of our eyes. Not that RA takes a person quickly; it dawdles, inflaming another knuckle here, twisting another joint there, conspiring with a wicked cocktail of drugs to render the body a desiccated skeleton draped in swollen, mottled flesh.

It was the first stroke that put her out of commission. It hit her at dinner. One moment she was hunched at the end of the table forcing down spaghetti. The next, the left side of her body went slack, she slumped, and food fell from her open mouth. Two more strokes followed, successively robbing her of her few remaining comforts: reading, speaking, sharing meals. Like the first two, the third one cruelly refused to deliver the merciful coup de grace.

She languished in the family nursing home through the long summer before my sophomore year at college. I grew accustomed to her limbo state. Like the rest of the family, I visited, but I grew careless, even callous. I wanted to be out in the world, not sitting in that sterile room watching the arthritis tighten the screws, watching her wince with every small shift, trying to decipher her garbled speech. After one visit, I sat in my car in the parking lot raging at God for his abject cruelty. Why, why, why wouldn’t he take her?

The last time I saw her alive may have been the visit that coincided with my brother Jack’s janitorial shift at the nursing home. Jack was the big man of the family. He had been Mother’s arms and legs for several years, lifting her in and out of her wheelchair and bed, in and out of the car. Jack made sure to see her everyday, stopping in several times on his rounds. When he saw me sitting there, he lit in. “Where have you been?” he said angrily. “When was the last time you came down to see her? Your mother’s dying and you can’t be bothered to get your ass down here?”

I think I shot up and went at him, lobbing fervid excuses in my defense, my fervor growing in proportion to my guilt. Then we both heard a distressed, even indignant, sound coming from her bed. I turned. Her hand was raised, her finger pointing at me. Her eyes flashed the old spirited anger. Clearly articulating the words, she said, “I like you.”

Jack got his reward though. The only one down at the nursing home the morning she died, he was the last to see her alive. But even he wasn’t at her side when she breathed her last; he had slipped out to mop another floor. It breaks my heart that she died without Dad or any of her children at her bedside, but it would be even sadder if it weren’t for one small detail. Once we’d all assembled there, it was plain to see. Gone were the traces of pain that had gripped her face for so long. Instead, a peaceful smile graced her lips.

It’s too late now to make amends to my mother. How I wish I could sit by her side now, read to her, play music for her, take her mottled, broken dove of a hand in my own and hold it. But I can’t. I can only roll the memories and regrets around in my head. I can only belatedly offer apologies to the air.

This post was prompted by Charli Mills’s May 13, 2015 prompt: In 99 words (no more, no less) write a story that shows a hard place and a connection.

A Dawn Concert

Four a.m. The pain a staccato knock. No going back to sleep. She pushed up on gnarled hands, scooted, let the sharp ache push her into the wheelchair.

She followed the grooves in the carpet, pushed past the girls’ rooms, imagined their young bodies. They looked like her, thirty years ago, before the arthritis made a crippled birch of her.

She parked at the kitchen table. No coffee until Dan rose to percolate it. She waited.

At last a pale lemony light washed through the window. The familiar room emerged. And the concert began.

The robins never forsook her.

 

 

Beppu: A Flash Memoir for Spring

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A view of Beppu, Oita, Kyushu, Japan

Spring always pulls me back to 1988, a pivotal year in my life. It was the year of change, of pulling up stakes, cutting ties, forsaking my stable landed existence for a leap into the unknown. It was glorious.

I had been living in Los Angeles for eight years. My initially enchanting if bohemian neighborhood, a stone’s throw from the old Ambassador Hotel on Wilshire Boulevard, had deteriorated, become the scene of racial confrontations and sad decline.

The relationship I was in similarly suffered. Having recently crossed over from my carefree twenties into the tick-tock thirties, the latent issue of babies awoke and set to screaming. I had never wanted them, or so I had asserted, had chosen my mate (an artist) not only for the mad love he inspired in me but upon the basis of a shared commitment to freedom, the pursuit of art, and childlessness.

But in crept my doubts. My dissatisfactions. At the same time I asked myself, if I was foregoing children, why was I locked into an arrangement that felt so confining?

What then? I had always had a wanderlust. My career as an ESL teacher had promised ripe opportunities before: sweet apples I had failed to pluck, had left to rot on the tree.

But now another fruit fell into my open palm. Sweeter than I had any right to expect. A teaching position in Japan. And not a job at one of those fly-by-night, exploitative, street-front language joints in Tokyo or Osaka, but a lecturer’s position in English at a college in the hot spring fairyland of a place called Beppu.

My decision on whether to eat that sweet fruit or let it remain unplucked changed the course of my future.

This post is my response to Charli Mills’s May 6, 2015 prompt: In 99 words (no more, no less) write a story that is a snapshot of spring…We could think of it as “spring eternal.” Warm, renewing, new life, hope.

Currency Exchange

He sat in the chair, vigilant, funereal.

“The taxi’s below,” she said. “I’ll call when I get there tomorrow.”

He didn’t rise. She gathered the last bags and closed the door behind her.

Freedom revved in her chest, maintained its thrum through traffic and customs. On the plane she exhaled into a blissful inaccessibility. Not even his voice could intrude now. Already he seemed far away.

She deplaned at Narita, boarded the island hopper to Kyushu. On the descent, she peered out the window. April sunlight glinting on the Inland Sea was a newly minted coin, just for her spending.

Janisha: A Flash in the Vein of “Black Lives Matter”

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In managerial stance, 2013

 

A blog I have come to follow during the last year is Charli Mills’s Carrot Ranch. Designed along Charli’s “buckaroo” persona, the site is both a showcase for Charli’s own literary outpourings and a refreshing and inspiring “watering hole” for a small but growing literary community; Charli has branded that community her “Rough Writers.”

Charli hosts a flash fiction challenge on her blog, and each week she posts a writing prompt for her stable of Rough Writers. Triggered by events in the wider world or by the quiet dramas of the natural sphere that surrounds her in Elmira Idaho, the themes selected are always ones that provoke a far-ranging response. The strictures she places on word count–99 words, no more, no less–encourage a tightening of focus and a keen, almost poetic, attention to vocabulary.

This week’s prompt, and the essay that precedes it, brilliantly conflate two recent devastating cataclysms, one natural and one social: the earthquake in Nepal and the racial turmoil in the United States that has seen a violent upswing in recent months in response to the anger unleashed by black communities over the deaths of black men at the hands of the police. Charli captures the fear, frustration, and helplessness many of us feel:

Like geological earthquakes, social ones rock the ground we stand upon. We feel ripped to pieces. We feel buried alive in the rubble of our riot-fueled angst. We feel the whole damn world is against us, no one understands.

What we need is common ground. To reach across the racial chasms we need to toss aside discomfort over “otherness.” Our first step is to recognize one race: human.

To toss aside otherness is a large order, one difficult to achieve even when the heart is willing. That being the case, the prompt this week is perhaps more challenging than most (and thanks to Charli for graciously allowing me to expand the word count.):

April 29, 2015 prompt: In 99 words (no more, no less) write a story that tackles racism. Think about common ground, about the things that rip us apart as humans. How we can recover our identities in a way that honors the identities of all individuals? What breaks the barrier of other-ness? Imagine a better tomorrow that doesn’t need expression in riots or taking sides on social media. As writers, think about genres, characters, tension and twists. We can rebuild.

As a member of the “dominant culture” in the States, I have had my own moments of reckoning over the years in regards to race. This flash piece (part memoir, part fiction) comes from one of them.

Janisha

Janisha planted herself before my desk. A bulwark, I thought.

“I want to talk to you,” she said.

Her tone conveyed a reprimand, not a request to a supervisor.

“Alright,” I said. “Have a seat.”

She ignored me. I looked uneasily behind her at the only door to my office and the empty hallway beyond.

“You might close the door,” I said, remembering the discrimination complaint she’d filed against another manager. I’d already gotten her play-by-play account of the incident, despite the dean’s warning not to discuss it.

I suppressed a sigh of defeat. Composed my face to its managerial mask. Wondered again what made this woman so bloody commanding: that throaty voice, those tight cornrows framing heavy brow and full purple lips. Her face belonged to some fierce Asian deity guarding a temple.

I cleared my throat. “You know it’s against policy for me to discuss your grievance,” I began.

Her face glistened like a polished stone. Glowering, I thought.

Then in a beat, she threw her head back, let out a full-throttle laugh.

“That’s not why I came in,” she said. And laid a plastic, motorized fan on my desk.

“Just gets so stinking hot back here.”